This Page is a bit out dated. I hope to update it this year (That's what I've been saying for the last few years!)
Please contact us for the current price.
MICROPHONES Shure SM-58 It has been a standard on stages through out the world best stage for years. This has been the microphone that is used vocals most in all the rock and country concert halls that we've work in. This mic. is very durable. It has a 4khz rise that makes vocals stand out when competing with loud guitars and other amplified mid-range sounds. Shure Improved version of the SM-58. Shure has increased the Beta 58A high-end frequency response to 16,000hz and has improved ultimate the internal shock mount. The ultimate vocal mic. Shure SM-57 The standard concert hall and studio workhorse mic used best stage for drums, percussion, and amplifier micing. I like the warm sound that this mic gives vocals. Just make sure that you use a good windscreen when used for vocals. Shure Improved version of the SM-57. Shure has improved the Beta SM-57A frequency response and made it even more rugged. The ultimate ultimate general purpose stage microphone. Shure SM-81 Unidirectional cardioid condenser. Ruler flat response durable pro 20-20,000 hz. Built in 10db attenuator for micing condenser really loud sounds. This mic. is one of the most durable studio condenser mics. Also, Works great for drum, acoustic, and choir PA micing. Phantom powered. AT 813 best If you don't have phantom power or you can't afford a electret true condenser microphone; this it the one to choose. condenser A common AA battery can power this unidirectional cardioid mic for up to 5,000 hours. We've sold a lot of these to churches for micing there choirs. Crown LM-200 We've installed all kinds of microphones designed for best podium podium and lectern use. Our opinion is that this is & lectern the best sounding, best pickup, and best constructed microphone for this application. It can be phantom powered or powered by an inexpensive powered supply available as an option. Countryman Countryman has designed and built the most miniature and Isomax best unobtrusive mic available. The mic is approximately the hanging mic size of your smallest fingernail and produces sound that is crystal clear. These mics are available in several types of patterns and various colors and lengths for the miniature mic. cable. We've installed a lot of these mics in churches, recreation halls, and auditoriums with great success. Shure SM-11 This dynamic lavalier mic is small, dependable, and lapel mic rugged. We have utilized a lot of these affordable affordable 1.5 inch long mics in lecture and meeting halls. AKG C-414 One of our favorite general purpose studio microphones. ultimate We used this microphone for all of our vocal recordings. studio It sounds great on any thing. It has a large diaphram, selectable patterns (omni, cardioid, hyper-cardioid, and figure eight) < road case SK case that meets ATA standard holds 12 mics plus for mics cables & accessories. Outside dimensions 18.5 by 15 by 14.5. Rapco DI This passive direct Input box is perfect for accepting economy bass, guitars, or keyboards directly to a mixer. Countryman This is an ultra clean way to connect guitar pickups, active DI contact mics, and electric instruments to your mixer. best This is one of the best boxes we've used. AKG K-240M The patented passive diaphram yield a response of standard 15-20khz. These are the phones that many engineers studio require. Klipsch Great Hi-Fi speaker that doubles as a PA speaker. KP-201 We've installed a lot of these speakers as the main 3 way speakers in churches, gyms, meeting halls, and class speaker rooms. These efficient, high-output, low-distortion three-way acoustic suspension system utilize 12" woofer, 1.5" horn-loaded compression driver midrange, and 1" horn-loaded compression tweeter. available with trim, recessed socket for stands, bottom bracket for omnimount 100, oiled oak or walnut veneer, unfinished birch, and other options. Five year transferable limited manufactures warranty. Klipsch Light weight speaker stands for KP-201 and others. KP-200TS Comes with carrying bag. spk. stand Community SLS loudspeakers represent the finest in one-box, SLS920 full range designs. When used in conjunction with a full range SC21 electronic system controller and a SBS subwoofer speaker this system is truly awesome. We've replaced system with traditional cluster horn arrays with a few of these SC21 speakers in houses of worship and auditoriums. Our Controller clients have labeled the improved sound quality as "a hi and SBS powered hi-fi system." The IntelliSense controller Subwoofer circuitry monitors the output of the main and subwoofer amplifiers and applies the exact equalization and thermal/mechanical limiting equaled for the best audio performance and maximum protection at all operating levels. Community We use this large speaker system for big league M4 midrange baseball, major rock concerts, grand concert halls, speakers and any application that requires crystal clear full clarity sound at solid volumes. These speakers are not a toy. Soundolier Ready for installation, to save you time and money. FD72W 8" Speaker is pre assembled with 25/70 volt ceiling spk/ transformer and white baffle (grill). Round can transf/baffle 95 series can be used or T-Bar bridge #81-8R(S) for standard 2 x 4 lay in ceiling installations. Soundolier Economy horn and driver for indoor and outdoor ball BIA-100/ parks, gyms, and other applications. The horn PD-30T dispersion is 130 x 60. The PD-30T driver comes with horn/driver 30 watt 70 volt transformer. We've connected a dozen of these together with a few thousand feet of wire and had great results at the ball park. MIXERS & CONSOLES Mackie This top seller is utilized every where; schools, bands, 1202VLZ home studios, portable recording, you name it. It 12 channel features 4 mic/line input channels, 4 stereo line ins, balanced stereo XLR outputs, 3-band EQ, mute/alt 3-4 (for 2nd stereo bus), low cut mic. filters, inserts, headphone jack, solo, and lots more in this small back pack mixer! Mackie As above but offers 6 mic inputs channels, plus 4 stereo 1402VLZ line inputs, phantom power, 2 effect sends and returns, 14 channel and 60mm faders. Mackie More of Mackie including; XLR mic inputs on all 16 CR-1604VLZ inputs, sweepable midrange EQ, 4 subgroup outputs, 8 16 channel direct outputs for recording, and more. Shure This small economy mixer features 4 XLR microphone Prologue inputs. The 4th input has a switch for either Mic. 4 channel or Aux. input. A master volume control adjusts overall output. Shure M268 A compact, lightweight, 5-input mixer can be used to 5 channel expand your mixers channels for drums, keyboards, etc. simple/small The 4 microphones inputs utilize transformers. Phantom power can be switched on. The 5th input is devoted as an aux. input. XLR and 1/4" jacks are provided for each mic. input. IRP DE-4024E This is our pick as best automatic microphone mixer. automatic We've tried most of them. We've replaced other brands 4 channel with this unit. It works. The patented Voice-Matic mic mixer has four microphone inputs and one auxiliary input. remotable The single rack space mixer can be controlled by remote control. Other features include: input #4 Mic/Line switchable, voice-matic/standard mode switch, individually switched: phantom power, 14db input pad, and low-cut filter. Perfect for churches and board rooms. Lock the equipment cabinet and let the mixer do the work. Hafler P1000 1 rack space, black, balanced 1/4", XLR's, unbalanced trans-ana RCA's, 50 wpc@ 8 ohms, 55 wpc @ 4 ohms, 110 wpc @ 8 110 watt amp ohms bridged mono. Hafler P1500 2 rack space, black, balanced 1/4", XLR's, trans-nova 75 wpc@ 8 ohms, 85 wpc @ 4 ohms, 170 wpc @ 8 170 watt amp ohms bridged mono. Hafler P3000 2 rack space, black, balanced 1/4", XLR's, 150 trans-nova wpc@ 8 ohms, 200 wpc @ 4 ohms, 400 wpc @ 8 110 watt amp ohms bridged mono. Hafler P7000 2 rack space, fan cooled, with active crossover Diablo (2 per channel), balanced 1/4", XLRs, 375 wpc @ 8 1050 watt amp ohms, 525 wpc @ 4 ohms, 1050 wpc @ 8 ohms bridged mono (EIA) SELF-POWERED MIXERS & PORTABLE PA SYSTEMS TOA SM-25M This self powered, two-way speaker system contains a powered 25 watt power amplifier, automatic compressor, XLR personal mic input, and 1/4" line input. The speaker comes monitor with bracket for microphone stand mount or wall mount. We've used a lot of these in churches where the organist needs to hear the pianist or choir. Bogen This versatile, reliable, series is the most widely C series used amplifier for installations where budget is a economy major factor. The 35, 60, and 100 watt amplifiers install can have 2 mic/1 aux or 1 mic/2 aux inputs. The 10 and 20 watt models mix 2 inputs; 2 mic or 1 mic/1 aux. Other features include; rack mountable, mic. precedence, telephone inputs, and others. PROCESSORS Symetrix 501 We've been using this standard of the industry for comp\limiter many years in auditoriums and meeting halls. This standard single channel simultaneous processes peak and RMS. Symetrix 425 Great for taking problems like background noise, tape dual expander hiss, pickup hum, etc. This unit "soft gates" out Comp/Limiter problems. There are 3 processors available at all times downward expander, compressor, and limiter in this single rack mountable unit. ART MDC2001 Single rack space combines stereo compression, peak Stereo limiting, expansion, noise gating, signal enhancement Compressor exciter and sibilance correction. ART SC2 A 2 channel compressor/limiter with a noise gate. This Compressor balanced input & output unit has controls for threshold release time, slope, and attack time. ART Tube MP Warm up the sound of Microphones and Acoustic tube preamp instruments. This preamp features 12AX7 tube, +48 phantom power, phase reversal switch, gain controls LED monitor. Who says you can't make a digital recording sound warm? ART Pro MPA This rack mountable preamp has 2 large VU meters. It stereo tube uses 12AX7 tubes has lots of controls including a high preamp pass filter. Balanced XLR and unbalanced 1/4" jacks. ART tubeMP This top selling affordable tube 2 channel pre-amp dual mic works great as a tube Direct box as well as microphones pre-amp pre-amp. Symetrix Can function as mono 2/3/4 way or stereo 2 way. 524E multi Built-in limiters on each channel! crossover Symetrix 402 one in two out. Precision delay of distant speakers; dual delay over 100 db dynamic range. freq. response 12-20khz. ART HD-31 This is our pick for Graphic equalizers. Excellent 27 band quality at half the price of comparable units. The EQ 1/3 oct EQ will allow either a 7.5 or 15 db of attenuation or gain for each of the 27 bands. The large sliders make this unit very usable. Hi pass, low pass and many other switchable features are located on the front panel. Great for house and monitors. ART HD-15 Same great features as above but is configured as a stereo stereo 15 band EQ. This low noise unit is great for 15 band sophisticated recording and sound reinforcement. 2/3 oct EQ Biamp EQ281M This single space, single channel equalizer is programmable programmable by infrared remote and/or computer 28 band EQ Four presets can be stored for and recalled. Great for gyms and auditoriums; announce EQ, music EQ, pep really EQ, hanging mics EQ, anti-feedback EQ, etc. Biamp EQ282M As above but has two channels to program. Great for dual stereo systems or house & monitor sends. programmable 28 band EQ RECORDING AND PLAYBACK Sony TCD-D8 This has been my favorite item for the past year! DAT Portable Walkman features long play mode (up to 4 hours) and 2 DAT Walkman standard speed modes. optical in and out, LCD display, line in and out, mic. in (with pad), and killer headphone amp. Utilizing the SBM-1 you can make 20 bit recordings! Sony TCD-D10 Sony's 10th year Anniversary Model is smaller than the portable DAT TCD-D8. How can they do that? INSTALLATION COMPONENTS Biamp IWA This thin wall unit can be mounted on existing walls in-wall or inside walls of new construction. This unit is mixer/amp really well designed. The best wall amp that we've installed. It has 6 channel mixer, independent main and zone outputs from mixer section. The main amp is 120 watts and the zone amp is 60 watts. A 9 band graphic EQ is provided for both amp outputs. We have installed a lot of these amps in meeting halls.
We will update as we discover great products.
Through out the years we've tried many different products. These are some of our favorites. Please contact us for the current price. Shure Line adaptor provides 50 db attenuation allowing A15LA balanced LINE level outputs to feed into balanced line to MICROPHONE inputs. XLR in and out. mic. pad Shure Switchable 15, 20, or 25 db of attenuation for A15AS applications where very strong signals are applied switchable to balanced mic. inputs. mic. pad M.A.P. This lockable rack draw only takes up 2 rack spaces. UD2-KYLK Great way to store operation manuals, contracts, and lockable programs. rack draw M.A.P. This lockable clear plexiglass security panel is for SECL-2 2 space size equipment. Great for EQ. They see it plexiglass but you can't touch it with out the key. Great for security keeping the sound novice from making those adjustments. M.A.P. Handy storage of patch cables. This 16" W x 3.5" D wallmount wall unit has dual size claw to hold large and small cable hanger cables. M.A.P. These rack mountable media holders are make to store CD/CS/DAT 40 CDs, 33 Cassettes, or 27 DAT tapes. Great for cd, cass., school media libraries and live sound racks. Specify or dat rack holder for CD, Cassette, or DAT. holders M.A.P. This handy tape measures incremental rack spaces and rack tape inches to 1/32". ruler Rapco CD100 Checks mic., instrument, speaker, balanced and patch cable tester cables. Tests for shorts, opens, and proper phase. A most for the sound man or technician. Rapco DB100 This economy direct box allows you to plug a hi-z economy instrument into a amplifier while providing an hi-z DI additional lo-z signal at the same time. Special jack is provided for ground lifting to eliminate hum. Countryman These microphones are fingernail-sized and can be ISOMAX min. taped to instruments including drums, guitars, microphone pianos, you name it. Also, they can be used as stage mics. attach them to the floor, stage curtains, or hang them. An amazing microphone that has a truly flat frequency response (as compared with an expensive measurement mic). Several directional pick up patterns are available. ACE stage These Universal flush Stage Pocket floor boxes conceal pocket box audio, video, data, communications, AC power, switches, etc. below the floor surface for easy access and to prevent connector damage. Mics and cables can be stored inside the pocket! Rapco TDI100 The new TDI-100 Device is designed to allow the user Tape/CD/Aux. Interface to convert the stereo output from tape decks Interface or compact disc players into single channel balanced microphone level signal for use with mixing consoles. IRP DE-4024 This is the best of the Automatic mixers for simplicity automatic of operation and overall performance. The single rack mixer with space, 5 channel mixer attenuates inactive microphones. remote The mic. is rapidly turned on when it receives a signal. This IRP mixer uses Dynamic Threshold Sensing to differentiate between active and inactive mics. A DE-209 remote Control unit can plugs into the back of the main unit. The remote can be located several hundred feet away from the main unit. This mixer is our choice for applications where an operator is not available, the operator needs to keep his hands off, or mixing is to complicated for a human operator. (court and board rooms, etc.)
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